7 / B72 2 
SALE NUMBER 1655 


ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-SECOND 


OLD 
AMERICAN AND ENGLISH 


ETCHINGS, ENGRAVINGS 
DRAWINGS, LITHOGRAPHS 


THE COLLECTION OF 


THE LATE 


GEORGE CABOT WARD 


OF NEW YORK 


TO BE SOLD BY AUCTION 
THURSDAY, FRIDAY EVENINGS 
APRIL TWENTY-SEVENTH, TWENTY-EIGHTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, PRESIDENT] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1922 


SALE NUMBER 1655 
ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-SECOND 


OLD 
AMERICAN AND ENGLISH 


ETCHINGS, ENGRAVINGS 
DRAWINGS, LITHOGRAPHS 


THE COLLECTION OF 


THE LATE 


GEORGE CABOT WARD 


OF NEW YORK 


PORTRAITS OF DISTINGUISHED AMERICANS 
RARE VIEWS OF AMERICAN CITIES AND SCENES 
HISTORIC PICTURES OF LAND AND SEA 
FINE ENGLISH COLOR PRINTS 
BY GEORGE MORLAND, WARD, BIGG, ETC. 
OLD AMERICAN AND ENGLISH SPORTING PRINTS 
EARLY AMERICAN SAMPLERS, ETC. 


TO BE SOLD BY AUCTION 
THURSDAY, FRIDAY EVENINGS 
APRIL TWENTY-SEVENTH, TWENTY-EIGHTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 


[MIT';CHELL KENNERLEY, PRESIDENT] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
| 1922 


CONDITIONS OF SALE 


1, All bids to be PER LOT as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the good 
faith of all claims and his decision shall be final. He also reserves the right 
to reject any fractional or nominal bid which in his judgment may delay or 
injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash pay- 
ments on account as may be required, in default of which the lots purchased 
to be resold immediately. 


4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of the 
purchase money to be absolutely paid on or before delivery, in default of 
which The Anderson Galleries, Incorporated, will not be responsible if the lot 
or lots be lost, stolen, damaged, or destroyed, but they will be left at the sole 
risk of the purchaser, and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settlement 
of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson Galleries 
before the date of sale, for examination by intending purchasers, and The 
Anderson Galleries, Incorporated, will not be responsible for the correctness of 
the description, authenticity, genuineness, or for any defect or fault in or con- 
cerning any lot, and makes no warranty whatever, but will sell each lot exactly 
as it is, WITHOUT RECOURSE. But upon receiving before the date of sale, expert 
opinion in writing that any lot is not as represented, The Anderson Galleries, 
Incorporated, will use every effort to furnish proof to the contrary, and in 
default of such proof the lot will be sold subject to the declaration of the 
aforesaid expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 


7. TERMS CasH. Upon failure to comply with the above conditions any 
sum deposited as part payment shall be forfeited, and all such lots as remain 
uncleared after twenty-four hours from the conclusion of the sale, will be resold 
by either private or public sale at such time as The Anderson Galleries, Incor- 
porated, shall determine, without further notice, and if any deficiency arises 
from such re-sale it shall be made good by the defaulter at this sale together 
with all the expenses incurred thereby. This condition shall be without preju- 


dice to the right of The Anderson Galleries, Incorporated, to enforce the con- 


tract with the buyer, without such re-sale. 


8. Bips. We make no charge for executing orders for our customers and 
use all bids competitively, buying at the lowest price permitted by other bids. 


9. The Anderson Galleries, Incorporated, will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be respon- 
sible for any damage arising from the acts of such carriers and packers. 


Priced Copy of the Catalogue may be secured for fifty cents 
for each session of the sale 


The Anderson Galleries 


Incorporated 
PARK AVENUE AND FIFTY-NINTH STREET, New YorkK 


Telephone, Plaza 9356 Catalogues on request. 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


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ORDER OF SALE 


THURSDAY EVENING, APRIL TWENTY-SEVENTH 


PORTRAITS—MAINLY OF DISTINGUISHED AMERICANS 1— 45 
VIEWS OF AMERICAN CITIES, ETC. 46-149 
VARIOUS AMERICAN LITHOGRAPHS 150-163 


FRIDAY EVENING, APRIL TWENTY-EIGHTH 


AMERICANA 164-202 
MARINE—W HALING—NAVAL AND STEAM SHIPS, ETC. 203-225 
FINE ENGLISH COLOR PRINTS 226-233 
AMERICAN AND ENGLISH SPORTING PRINTS 234-314 


ETCHINGS, ENGRAVINGS, DRAWINGS, AND EARLY 
AMERICAN SAMPLERS 315-351 


NOTE 


HE George Cabot Ward Collection catalogued herein is prob- 

ably the last of the contemporary pictorial data of American 
history to be offered in its original assembled state. It represents 
prints published by N. Currier, Currier & Ives, E. C. Kellogg & 
Co., Sarony and Major, Magnus and a host of other American 
lithographers—masters in their day and famous for the true re- 
- production, pictorially, of important occurrences and _ scenes. 
Photography was in its infancy, and news prints did not furnish 
the news graphically,—thus leaving a wide field for the great 
array of artists, on whose work future generations must rely for 
authentic historical data. 

The late George Cabot Ward, of New York, prominent in ship- 
ping and mercantile centres, was of high standing as a public 
benefactor, and until his death in 1892 was vitally interested in 
the school system of New York City. He claimed among his many 
friends Mr. N. Currier, who from the early forties until 1882 
furnished us with more delightful reminiscences than all of the 
other American lithographers together. It was only natural that, 
with his spacious town and country houses, with his deep interest 
in the development of the nation, and with the intimate associa- 
tion of the foremost contemporary creative genius, Mr. Ward’s 
discriminative gathering continued and developed for many years. 

The collection of prints relating to sports, particularly those in 
which the thoroughbred is foremost, reflects the activity of youth 
and passes on into the less strenuous field of angling and shooting. 
The English publications of a wider scope enter largely into this 
section. 

The American cities are well represented—New York City nat- 
urally with the greatest number, and with some of exceptional rarity. 
But the English masters claim their due proportion. Such 
prints as The Stormy Night and The Morning After, with Mor- 
land’s Sportsman’s Return, would be hard to equal to-day. 

Taking the collection as a whole, there are notable prints for 
the collectors, others that will appeal especially to the historian, 
and decorative art for all lovers of old things with enduring in- 
terest and value. 


Pee ee Ee ares 


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SALE THURSDAY EVENING, APRIL TWENTY-SEVENTH, AT 8:15 


FIRST SESSION 
LOTS 1-163 


PORTRAITS 
MAINLY OF DISTINGUISHED AMERICANS 


LOTS 1-45 


1 JOHN ADAMS 
Stippled engraving by C. Tiebout. Published by A. Day,. 
Philadelphia. Oval portrait. Small folio. Framed. 


2 JOHN ADAMS 
President of the United States of America. Stipple engrav- 
ing by E. Savage, published Philadelphia October 10, 1800. 
Small upright folio with full title; side and top margins cut. 
Framed. 


3 JOHN QUINCY ADAMS 
President of the United States. Painted by T. Sully, en- 
graved by A. B. Durand. Published by W. H. Morgan, Octo- 
ber 1826, Philadelphia. Large folio. Framed. 


4 JOHN QUINCY ADAMS 
President of the United States. Engraved by J. B. Long. 
acre from a painting by G. Stuart. Published by J. B. 
Ayres, Philadelphia. Small folio, Framed. 


5 AMERICAN ARTISTS 
(a) Gilbert Stuart. Engraved by D. Edwin from the orig- 
inal by John Neagle. Open letter proof. 
(b) Benjamin West, Esq. Late President of the Royal 
Academy. Engraved by H. Meyer from the painting by 
G. H. Harlow. 
Small folios. Framed. 


6 PRINCESS CHARLOTTE AUGUSTA 
Stipple in bistre by F. Bartolozzi after the painting by R. 
Cosway. Published London, 1797. Folio. Framed. 


5 


10 


11 


12 


13 


14 


15 


RICHARD BAXTER 

The Reverend and Learned Mr. Richard Baxter. Mezzotint 
by J. Spilsbury. Upright folio. Framed. 

Fine impression. 


JAMES BUCHANAN 
Engraved and published by J. C. Buttre, New York, 1857. 
Colored. Proof impression. Large folio. Framed. 


ROBERT BURNS | 
Painted by Alex. Nasmyth. Mezzotint by H. 8S. Ladd. Pub 
lished New York. Folio. 


HENRY CLAY 


_ Engraved by J. Sartain, from original drawings and daguerreo- 


types. Printed by Jas Irwin, Philadelphia. Published by 
W. B. Evarts, Louisville, Ky., 1853. Upright folio. Framed. 


COPE BROTHERS 

Jasper, Theodore P., and Israel Cope. Mezzotint by S. B. 
Waugh. Folio. Framed. 

The Cope Brothers controlled large shipping interests on the 
Atlantic Coast. 


OLIVER CROMWELL 

Equestrian portrait with the City of London in the back- 
ground. Painted by Hoeve. Engraved by Heur. Neuhifius, 
Fris. Large folio. Framed. 


T. W. DORR, GOVERNOR OF RHODE ISLAND 
Inaugurated May 3rd, 1842. Colored lithograph by J. 
Baillie. Published New York (1844). Small upright folio. 
Framed. 


CHARLES JAMES FOX 

Painted by Sir Joshua Reynolds. Mezzotint, engraved by 
John Jones. Large upright folio. Framed. 

A fine impression with margin. 


BENJAMIN FRANKLIN 

Drawn by C. N. Cochin, 1777. Engraved by John A. O’Neill, 
1856. Published New York, 1856 by Elias Dexter. Small 
folio. Framed. 


16 


ye 


18 


Lo 


20 


21 


22 


23 


GENERAL U. S. GRANT 

Original Line engraving, signed artist’s proof by William E. 
Marshall. Oval bust portrait surrounded in engraved oblong 
frame. Large folio. Framed. 


WASHINGTON IRVING 
Painted by W. H. Powell. Engraved by Paul Leprix. Pub- 
lished by M. Knoedler, New York, 1863. Proof before let- 
ter. Large folio. Framed. 


ANDREW JACKSON 

President of the United States. Painted by W. J. Hubard. 
Lithograph by Newsam. 

Published by Childs & Lehman, Philadelphia, 1834. Large up- 
right folio. Framed. 


GEN. ANDREW JACKSON 
The Hero of New Orleans. Colored lithograph by N. Cur- 
rier, published New York (1845). Small folio. Framed. 


“THOMAS JEFFERSON 


Third President of the United States. Inaugurated March 
4th, 1801. Died July 4th, 1826. Colored lithograph by W. 
Kellogg & Co., published Hartford. Small upright folio. 
Framed. 


CAPTAIN PAUL JONES 

From an original drawing taken from life, on board the 
‘‘Serapis.’’ Line engraving. Published by Thos. Macklin, 
London, Oct. 22, 1779. Small upright folio. Framed. 

A very rare portrait. 


CHARLES LEE, ESQR. 

Major General of the Continental Army in America. Mezzo- 
tint by C. Shepherd after the painting by Thomlinson. Pub- 
lished London, October 31, 1775. Small folio. Framed. 

A fine impression of this rare print. 


ABRAHAM LINCOLN 

Original Line engraving, signed artist’s proof by William E. 
Marshall. Oval bust portrait surrounded in engraved oblong 
frame. Large folio. Framed. 

This is the most desirable of all the portraits of Lincoln and 
is very rarely to be found in this state. Companion to Lot 16. 


7 


24 


25 


26 


27 


28 


29 


30 


31 


JAMES MADISON 

Fourth President of the United States. Colored lithograph 
by W. Kellogg & Co. Published Hartford. Small upright 
folio. Framed. 


JAMES MONROE 

Fifth President of the United States. Colored lithograph 
by D. W. Kellogg & Co., Hartford, Conn. Small folio. 
Framed. s' 


ADMIRAL NELSON 

Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice 
Admiral of the White. Painted by Sir Wm. Beechey, R.A. 
Mezzotint by Edward Bell. Published London, May 1, 1806. 
Upright folio. Framed. 

A very impressive portrait of Nelson on board the ‘‘ Victory.’” 
Fine impression. 


THOMAS PENN, ESQ. 

One of the Proprietors of Pennsilvania, 1751. Painted by 
Davis, 1751. Mezzotint by Martin. Small upright folio. 
Framed. 


WILLIAM PENN 

First Proprietor and Founder of Pennsilvania. Drawn by 
Du Simitiere, from a Bust in Alto Relievo done by Sylvanus 
Bevan, Philadelphia, 1770. Line engraving by John Hall. 
Published London, 1773. Small folio. Framed. 


VERY REV. JOHN POWER 

Vicar general of the Diocese of New York. Painted by Geo. 
W. Twibill. Mezzotint engraved by S. H. Gunber. Pub- 
lished New York, 1839. Small upright folio. Framed. 


THE PRESIDENTS OF THE UNITED STATES 

Oval portraits from Washington to Polk, with centre of the 
Signing of the Declaration of Independence. Colored litho 
graph by N. Currier. Published New York, 1844. Small up- 
right folio. Framed. 


THE PRESIDENTS OF THE UNITED STATES 

From Washington to Tyler. Oval inserts around centre of 
Washington with eagle and flags. Colored lithograph by 
N. Currier. Published New York, 1842. Small upright folio. 
Framed. 


32 


33 


34 


35 


36 


37 


38 


39 


WALTER SCOTT AT HOME 
Line engraving lacking title and margins. Folio. Framed. 


WILLIAM SHAKESPEARE 

From the Chandos Portrait. Engraved by Samuel Cousins. 
Published by the Shakespeare Society, June 1849. Upright 
folio. Framed. 


MAJOR GENL. ZACHARY TAYLOR 
U. S. Army. Colored lithograph by E. C. Kellogg, Hart- 
ford. Published 1847. Small upright folio. Framed. 


JOHN TYLER 

Tenth President of the United States. On stone by A. New- 
sam. P. S. Duval, lithograph. Published by C. S. Wil- 
liams, 1846. Small folio. Framed. 


MARTIN VAN BUREN 

President of the United States. Painted by H. Inman. En- 
eraved by J. Sartain. Published W. H. Morgan, Philadel- 
phia. Upright folio. Framed. 


GEORGE WASHINGTON 

Late President of the United States of America. Painted by 
W. Birch, Esq. Engraved in stipple by P. Roberts. Colored. 
Folio. Framed. 


GEORGE WASHINGTON 

Sacred to the Memory of the truly Illustrious George Wash- 
ington, etc., ete. Painted by John Coles. Engraved by E. G. 
Gridley. Small upright folio. Framed. 

Rare. 3 


GEORGE WASHINGTON 

(a) Life of George Washington. The Citizen. 

(b) Life of George Washington. The Farmer. 

Painted by Stearns. Colored lithograph by Regnier. Pub- 
lished by M. Knoedler, New York, 1853 and 754. Folio. 
Framed. 


40 


41 


42 


43 


4g 


45 


GEORGE WASHINGTON, ESQ. 

President of the United States of America. From the Orig- 
inal Portrait Painted at the request of the Corporation of 
the University of Cambridge in Massachusetts. Mezzotint 
by E. Savage, pinx. et sculp. Published, June 25, 1793 by E. 
Savage, No. 54 Newman Str. Upright folio. Framed. 

Fine impression of the 2nd state of the plate. 


GEORGE WASHINGTON, ESQUIER 

Général et Comendeur en chef d’Armée des XIII Provinces 
unies en Amérique. After the painting by Alexander Camp- 
bell of Williamsbourg in Virginia. Mezzotint by Thom. Hart. 
Published London. Small upright folio. Framed. 

A very rare Washington Portrait. 


GENL. GEORGE WASHINGTON 

In Memory of Genl. George Washington and his Family. 
From the original picture painted by Trumbull, 1804, in pos- 
session of the Washington family. Colored lithograph by 
Bingham and Dodd, Hartford, Ct. Published by M. H. 
Campbell & J. R. Johnson, 1859. Large folio. Framed. 


MARTHA WASHINGTON 

Drawn by W. Oliver Stone after the original by Woolaston. 
Engraved by J. C. Buttre. Colored. Upright folio. Framed. 
Proof before the title. 


JOHN WESLEY 

Fellow of Lincoln College, Oxford. From the original pic- 
ture in the possession of Thos. Wooldridge of East Florida. 
Mezzotint by Jno. Greenwood. Published London, 1770. Up- 
right folio. Framed. 


BENJAMIN WEST, R. A. 
Painted by Wm. Lawrensen. Mezzotint by Wm. Pether. 
Folio. 


10 


46 


47 


48 


49 


51 


52 


53 


VIEWS OF AMERICAN CITIES, ETC. 
LOTS 46-149 


AMERICAN VIEWS 

Early book illustrations. Twelve printed on one sheet. New 
York, Castle Garden; Fort Ticonderoga; Lake George; etc., 
ete. Colored lithographs by the New York Emporium of 
Arts, 325 Broadway. Folio. Framed. 

A unique item, artist unknown. 


BETHLEHEM, PA. 

From the West. Nine small views surrounding inset view of 
the city. Colored lithograph from nature by Fr. Kilian. 
Folio. Framed. 


BEVERLY AND SOUTH DANVERS, MASS. 

Colored lithographs by Endicott & Co. After the paintings 

by J. B. Bachelder. Published (Boston) 1856. Folios, Framed. 
(2) 


BOSTON, MASS. 

View of the Grand Mass. Washingtonian Convention on Boston 
Common, on the 30th of May 1844. Colored lithograph by 
Thayer & Co. Published by F. Gleason, Boston (1844). 
Small oblong folio. Framed. 


THE GREAT FIRE AT BOSTON 
November 9th & 10th, 1872. Two lines of description. Col- 
ored lithograph by Currier & Ives. Published New York, 
1872. Small oblong folio. Framed. 


BOWDOIN COLLEGE 

From a daguerreotype by Hendee. Colored lithograph by 
Tappan & Bradford. Published by J. Griffin, Brunswick, Me. 
Small oblong folio. Framed. 


CALIFORNIA SCENERY 
Seal Rocks—Point Lobos. Colored lithograph by Currier & 
Ives. Published New York. Small oblong folio. Framed. 


CAMDEN, N. J. 
St. Paul’s Protestant Episcopal Church. Rev. J. M. Leybrand, 
Pastor. Tinted lithograph. Small folio. Framed. 


11 


o4 


D0 


06 


ov 


58 


59 


60 


61 


CINCINNATI 

From Forest Hill, Ky. Colored lithograph by Ehrgott & 
Forbriger. Published at 8. W. corner of 4th & Main Sts., Cin- 
cinnati, O. Folio. Framed. 

Rare. 


THE BURNING OF CHICAGO 

Conflagration commenced October 8, 1871. Colored litho- 
graph by Currier & Ives. Published New York, 1871. Small 
oblong folio. Framed. 

Rare. 


VIEW OF THE DELAWARE 
Near Easton, Pennsylvania. Colored lithograph by Currier 
& Ives. Published New York. Small oblong folio. Framed. 


HARRISBURG 
View of Harrisburg, Pa., with 5 inset views and title. Col- 
ored lithograph, artist unknown. Large folio. Framed. 


HARTFORD, CONN. 

Gallaudet Monument, erected in front of the American Asylum 
for the Deaf and Dumb at Hartford, Conn., Sept. 6, 1854. 
Lithograph by A. Newsam. Published by P. 8S. Duval, Phila- 
delphia, 1855. Large folio. Framed. 


HOBOKEN 

Bird’s-eye view of Hoboken. Colored lithograph. Drawn 
from nature and on stone by J. Bachman. Published New 
York, 1860. Folio. Framed. 


JAMES-TOWN, VIRGINIA 

View of the Ruins of the Old Church at James-Town, Vir- 
ginia, the first Public Building in the United States. Col- 
ored lithograph by J. Warrell. Published by Pendleton, New 
York. Folio. Framed. 

A very scarce print and in fact the only view we know of 
relating to this historic edifice. 


LONG BRANCH, NEW JERSEY 

Sea Bathing. Metropolitan Hotel. Four lines of description 
as to travel and accommodations. Colored lithograph by 
Sarony & Co. Large folio. Framed. 


12 


62 


63 


64 


LOWELL, MASS. 

Ninth Annual New England Fair at Lowell, Mass. Sept. 
3, 4, 5, & 6, 1872. Colored lithograph by Chas. H. Crosby. 
Published by C. Frank King, Boston, 1872. Folio. Framed. 


LYNN, MASS. 

(a) West view from near High Rock. 

(b) East view from near High Rock. 

Colored lithographs by Endicott & Co., after the paintings by 
J.B. Batchelder. Published Boston, 1856. Folios. Framed. 


(2) 


MOUNT VERNON 

Original water-color drawing of Mount Vernon with view 
of the grounds and building and the Tomb of Washington. 
The River to the right, with an early Steamboat. Unknown 
artist, date about 1830. Folio size. Framed. 


69 MOUNT VERNON 


66 


67 


68 


69 


Bird’s-eye view of Mt. Vernon, the Home of Washington. 
Two columns of description on either side of title. Colored 
lithograph. Published by G. & F. Bill (Boston), 1859. Small 
oblong folio. Framed. 


NEVADO, COLORADO 

Tinted lithograph by J. Bien after the painting by A. E. 
Mathews. Published New York 1866. Folio. Framed. 
View of the valley, picturing the mining activities, stamping 
mills, refineries, etc. 


NEW HAVEN, CONN. 
St. Thomas’ Church, New Haven, Conn. Lithograph by 
W. H. Rease, published Philadelphia (1845). Folio. Framed. 


NEWPORT 

Newport Ruin. ‘‘There are those who think it had been a 
Fortress, but still I can never admit this picturesque Ruin 
has been a Mill.’’ (Red Rover, page 62.) Painted by W. G. 
Wall. Colored lithograph by Endicott & Sweett. Published 
by H. Barber, Newport, R. I., 1833. Folio. Framed. 


NEWPORT, R. I. 
The Glen at Newport. Colored lithograph by Currier & Ives. 
Published New York. Small oblong folio. Framed. 


13 


VIEWS OF NEW YORK CITY AND NEIGHBORHOOD. 
LOTS 70-113 


70 ALBANY STREET AND BROADWAY 


Extended to Broadway, as it will appear; etc., etc. Two 
lines of description. Tinted lithograph by Ferd. Mayer & 


Co., 96 Fulton Street, New York. Folio. Framed. 
Rare. 


71 GREAT RIOT AT THE ASTOR PLACE OPERA HOUSE 
On Thursday evening, May 10th, 1849. Colored ee 


by N. Currier. Small folio. Framed. 
Rare. 


72 BIRD’S-EYE VIEW OF THE GREAT SUSPENSION 


BRIDGE 


Connecting the cities of New York and Brooklyn. Com- 
menced 1870. Finished 1888. Colored lithograph by A. 
Major. Published New York, 1883. Large folio. Framed. 


73 A BRISK GALE, BAY OF NEW YORK 


Colored aquatint, painted and engraved by W. J. Bennett. 
Published by Geo. E. Perins, New York, 1867. Folio. Framed. 
A very decorative print of New York Bay, showing in pic- 


ture the early shipping activities. 


74 CENTRAL PARK, N. Y. 


The Bridge. Colored lithograph by Kellogg & Bulkeley. 


Published Hartford. Small oblong folio. Framed. 


75 CENTRAL PARK, WINTER 


The Skating Carnival. Colored lithograph by Currier & 
Ives. Published New York (1860). Small oblong folio. 


Framed. 
Very scarce. 


76 CHURCH OF THE TRANSFIGURATION 


Dedicated to the Rev. Mr. G. H. Houghton, ete. Colored 
lithograph from nature by J. A. Sherman, New York. Folio. 


Framed. 


A very rare view of the ‘‘Little Church around the Corner,”’ 


with part of 29th Street in the foreground. 


14 


17 


78 


79 


80 


81 


82 


83 


BURNING OF THE CITY HALL, NEW YORK 

On the night of the 17th of August, 1858. Supposed to have 
taken fire from the fireworks exhibited in commemoration 
of the successful laying of the Atlantic telegraph cable. Col- 
ored lithograph by Currier & Ives. Published New York 
(1858). Small oblong folio. Framed. 

Very scarce. 


BURNING OF THE NEW YORK CRYSTAL PALACE 
On Tuesday October 5th, 1858. During its occupation for 
the Annual Fair of the American Institute. Colored litho- 
graph by Currier & Ives, New York (1858). Large folio. 
Framed. 

A very scarce print and one seldom seen to-day. 


NEW YORK CRYSTAL PALACE 

For the Exhibition of the 1853 Industry of all Nations. 
Printed in color at the New York Crystal Palace by Joseph 
Laing & Co., Fulton Str., New York. Small oblong folio. 
Framed. 


NEW YORK CRYSTAL PALACE 

For the Exhibition of the Industry of all Nations. Designed 
by Carstensen & Gildemeister. Lithograph by Nagel & Wein- 
gartner. Published by Theodore Sedgwick, New York, 1852. 
Large folio. Framed. 

Rare. 


PLAN OF AN ELEVATED STREET RAILROAD 
Proposed by Gen’! F. Sigel, New York, January 1872. Tinted 
lithograph by C. E. H. Bonwill; published New York (1872). 
Folio. Framed. 


GOTHIC ARCH, ELEVATED RAILWAY 
Richard P. Morgan, Jr. Tinted lithograph. Small folio. 
Framed. Scarce. 


LAFAYETTE THEATRE 

A. J. Davis, del. Peter Grain, Architect, 1827. Colored litho- 
graph by Imbert. Small folio. Framed. 

Rare. 


15 


84 


85 


86 


87 


88 


89 


THE LIFE OF A FIREMAN , 

The Race—‘‘Jump her boys, jump her.’’ Painted by I. Mau- 
rer. Colored lithograph by N. Currier. Published New York, 
1854. Large folio. Framed. 

Volunteer fireman passing City Hall Park with the Clock 
Tower shown over the trees. 


THE LIFE OF A FIREMAN 
The Night Alarm—‘‘Start her lively, boys.’’ Painted by I. 
Maurer. Colored lithograph by N. Currier. Published New 
York, 1854. Large folio. Framed. ; 
A unique copy of this print of Excelsior Engine No. 2 Henry 
Street. Pencil notes of the members of the company, one 
of whom is N. Currier. This is the only known portrait of 
the famous proprietor of N. Currier, & Currier & Ives, litho- 
graphers. 

[SEE ILLUSTRATION | 


THE LIFE OF A FIREMAN 

The Ruins. ‘‘Take up—Man your rope.’’ Painted by L. 
Maurer. Colored lithograph by N. Currier. Published New 
York, 1854. Large folio. Framed. 
Broadway near Fulton Street. Trinity Church in the dis- 
tance. 


THE LIFE OF A FIREMAN 

The New Era Steam and Muscle. Painted by C. Parsons. 
Colored lithograph by Currier & Ives. Published New York, 
1861. Large folio. Framed. 

On which appear the early steam engine—scene at Murray and 
Church Sts. 


THE THREE MAYORS (MARES) 

New York Course, Spring Races, 1838. 

Contemporary political caricature, painting by Shank. Col- 
ored lithograph by H. R. Robinson. Published New York, 
1838. Oblong folio. Framed. 

Very scarce. 


THE NARROWS FROM STATEN ISLAND 
Colored lithograph by N. Currier. Published New York 
(1846). Small folio. Framed. 


16 


90 


90a 


91 


92 


93 


94 


95 


THE NARROWS, NEW YORK BAY 
From Staten Island. Colored lithograph by Currier & Ives. 
Published New York. Small oblong folio. Framed. 


NIEUW YORCK 

Novi Belgii noveque Angle nec non, Pennsylvanie et Partis 
Virginie tabula multis in locis emendata, a Iusto Danckers 
Nieuw Yorck, eertys Genaemt Nieuw Amsterdam. Line en- 
graving. Sections Colored. View of New York in colors 
lower right. Large folio. Framed. 

A very early New York item. 


NEW YORK 

The would-be Mayor Preparing to Quell a Riot. Morning 
after Election. Democratic Whig or Calm as a Summer’s 
Morning. Political Cartoons. Colored lithographs by H. R. 
Robinson. Published New York (1838). Oblong folios. 
Framed. (2) 


NEW YORK 

Pavilion Fountain, Central Park. Drawn from nature by 
Aug. Kollner. Colored lithograph by Derog. Published, New 
York 1848. Oblong folio. Framed. 

Fine impression. 


NEW YORK 

Birdseye view by H. Trommer, Neu-Gersdorf. Colored litho- 
graph by A. Gocht. Small folio. Framed. 

An unusual view. Scarce. 


NEW YORK 

A Draught of New York from the Hook to New York Town. 
Engraving. Printed for and sold by Page and Mount on 
Tower Hill London. Folio. Framed. 

A very early English map of New York and environs. 


NEW YORK 

Drawn from nature and on stone by C. Bachman. Litho- 
graph by Sarony and Major. Published, New York, 1849. 
Large folio. Framed. 

The view taken from Union Square, looking South. 


17 


96 


97 


98 


99 


100 


101 


102 


NEW YORK BAY 

From Bay Ridge, L. I. Painted by F. F. Palmer. Colored 
lithograph by Currier & Ives. Published New York, 1860. 
One line of caption denoting the location of the distant points. 
Large folio. Framed. 


NEW YORK CITY 

Supplement to the Daily Advertiser, Monday, Nov. 5, 1792. 
An account of cash paid by order of Common Council. Con- 
tingent expenses of the City and County of New York. Large 
folding folder. Published New York Oct. 8th, 1792. 

An unusual item giving in detail the various city expendi- 
tures and an accounting by the City Treasurer. 


NEW YORK CITY 

Vue Générale De New York. Prise a vol d’Oiseau. Painted 
by Bachmann. Colored lithograph by Asselineau. Published 
Paris. Large folio. Framed. 


NEW YORK CITY AND ENVIRONS 

From the Spire of Dr. Spring’s new Brick Church, Fifth 
Avenue. Woodcut by Anthony, colored after the painting by 
Hitcheock. Folio. Framed. 


NEW YORK FROM FORT COLUMBUS 

Taken from the north west angle of Fort Columbus, Gov- 
ernors Island. From a sketch by F. Catherwood, Esq. En- 
graving, by Henry Papprill. Colored. Published by Henry 
J. Megarey, New York. Large folio. Framed. 


PAIR OF NEW YORK PRINTS 

(a) New York from Staten Island, with Brooklyn City in 
the distance. 

(b) New York from Staten Island, with Jersey City in the 
distance. 

Colored lithographs by Sarony & Major. Several lines of key 

on each print. Large oblong folios. Framed. 


THE MAGNIFICENT O’CONNELL FUNERAL CAR 
Passing the Park in New York City on Wednesday, Septem- 
ber 22, 1847. Three lines of description beneath title. Col- 
ored lithograph by N. Currier, published New York, 1847. 
Framed. 

Scarce. 


ah be 


103 


(104 


105 


106 


107 


108 


109 


ST. MARK’S CHURCH, NEW YORK 

A. J. Davis, Architect. Lithograph by J. B. Kidd, S.A., 
published by Bufford, New York (1827). Folio. Framed. 
To the right of the picture is a view of the Hast River. Open 
letter proof. Very rare. 


ST. NICHOLAS HOTEL, BROADWAY 

Colored lithograph published by Horace Waters, New York, 
1853. Small folio. Framed. 

First appeared on the cover of ‘‘St. Nicholas Polka.’’ 


SOUVENIR OF NEW YORK 

Highteen small views; of Astor Library, Custom House, 
South Ferry, Castle Garden, Merchants’ Exchange, etc., etc., 
surrounding a bird’s-eye view of the City. Colored litho- 
graph by L. W. Jughardt, New York. Folio. Framed. 


TEMPERANCE, BUT NO MAINE-LAW 

Composed and drawn on stone by A. Fay. Colored litho- 
graph. Published Hoboken, N. J., 1854. Large folio. 
Framed. 

This same print sometimes appears with the title of ‘‘Gem 
Saloon,’’ which was located at the corner of Broadway and 
Worth Street. It was a famous hostelry known as having the 
largest mirror in the City. Mayor Fernando Wood and James 
Lawrence and other noted men of the fifties are portrayed. 


TROTTING MATCH AT UNION COURSE, L. I. 

George M. Patchen, Brown Dick and Millers Damsel. July 
7, 1859. Colored lithograph by Currier & Ives. Published 
New York, 1859. Large folio. Framed. 


[SEE ILLUSTRATION ] 


UNION POND, WILLIAMSBURGH, L. I. 

Colored lithograph by Thomas and Eno, 37 Park Row, New 
York. Large folio. Framed. 

A very scarce print. Union Pond was located on the Satellites 
ground at Lorimer to Rutlidge Streets, the present site of the 
47th Regiment Armory. 


VIEW OF NEW YORK 

From Brooklyn Heights. Painted by Palmer. Colored litho- 
graph by N. Currier. Published New York, 1849. Several 
lines of descriptive captions of the important points of in- 
terest. Folio. Framed. 


19 


110 VIEWS OF NEW YORK 


111 


112 


113 


(a) Merchant’s Exchange and Wall Street. 

(b) Grace Church. 

(c) Custom House. 

(d) Castle Garden. 

(e) Union Square. 

(f) City Hall. 

(g) Marine Hospital at Brooklin. 

(h) Steward’s Building and Broadway. 

(i) New York. 

(j) Astor House and St. Paul’s Church. 

(k) University. 

(1) High Bridge. 

(m) Odd Fellows’ Hall. 

(n) Halls of Justice. 

(0) City Hall of Brooklyn. 

(p) Institution for the Blind. 

(q) Croton Water Reservoir. 

(r) Trinity Church. 

Painted by T. Bornet. Colored lithographs by C. Magnus. 

Small folios mounted on framed gilt mounts with inset titles. 
(18 pieces) 

A most remarkable series, evidently purchased by the orig- 

inal collector for framing. These were found in an unused 

drawer in their published state. 


[SEE ILLUSTRATION | 


VIEW OF THE NEW YORK QUARANTINE, STATEN 
ISLAND 

Painted and engraved by W. J. Bennett in colors. Published 

by Parker & Co., 186, and by Lewis Pelover, 180 Fulton 

Street, New York. Large folio. Framed. | 


WALL STREET, 1850 
From William Street, looking towards Trinity Church. Col- 
ored lithograph. Folio. Framed. 


CEREMONIES OF DEDICATION OF THE WORTH 
MONUMENT 

Nov. 25, 1857. Tinted lithograph by A. Weingartner. Pub- 

lished New York (1857). Folio. Framed. — 

A view of Broadway with the buildings of the north and 

east sides of Madison Square in the background. 


20 


114 


115 


116 


117 


118 


119 


120 


121 


NEW YORK STATE VIEWS 
LOTS 114-129 


NEW YORK 

The Great Cohoe Waterfall on the Mohawk River. Water- 
fall on the Passaic, New Jersey. Line engravings, colored. 
Published by R. H. Laurie, May 24, 1827. Folio. Framed. 


(2) 


VIEW OF THE HUDSON 
West Point. Colored lithograph by Thomas Kelly. Print by 
Wm C. Robertson, New York. Large folio. Framed. 


NEW ROCHELLE, NEW YORK 

View of the Neptune House, New Rochelle, Westchester Co., 
N. Y. Colored lithograph by J. Baillie. Published New 
York. Small oblong folio. Framed. 

Located on Long Island Sound, near Jona Island, and once 
a famous and fashionable Summer Resort. 


VIEW OF THE HUDSON RIVER 

Hyde Park, Hudson River. Colored lithographs by N. Cur- 
rier and Currier & Ives. Published New York. Small oblong . 
folio. Framed. (2) 


LAKE GEORGE, N. Y. 
Colored lithograph by Currier & Ives. Published New York. 
Small oblong folio. Framed. 


THE GREAT FIRE AT HUDSON, N. Y., 1838 
Drawn by W. H. Clark. Colored lithograph. Oblong folio. 


_ Framed. Scarce. 


CATSKILL MOUNTAIN HOUSE 

Colored lithograph by B. C. Stone. Printed by J. H. Buf- 
ford’s of Boston. Published by M. Knoedler, New York, 
1860. Folio. Framed. 

Scarce. 


WEST POINT, FROM PHILLIPTOWN 

To Colonel S. Thayer, Superintendent of the U. S. Military 
Academy ... the Print is inscribed... W. J. Bennett. Painted 
and engraved by W. J. Bennett. Colored by Hill. Pub- 
lished by Currier & Ives, New York. 


21 


122 


123 


124 


125 


126 


127 


128 


VIEW FROM WEST POINT 

Hudson River. Colored lithograph by Kellogg & Thayer. 
Published New York and Hartford. Small oblong folio. 
Framed. 


WEST POINT 

West Point Military Academy. Dedicated to the Cadets... 
by their friend and servant Geo. Catlin. Drawn by G. Cat- 
lin. Engraved, printed and colored by J. Hill. Published 
New York, 1828. Folios. Framed. (2) 
A very charming pair of early American colored engravings. 


OGDENSBURG, WHISKEY STORE 

Painted by S. Ellis. Colored lithograph by Speckter. Ob- 
long folio. Framed. 

Rare. 


NIAGARA FALLS 

(a) A View of the Western Branch of the Falls of Niagara, 
taken from the Table Rock looking up the River over 
the Rapids. 

(b) A Distant View of the Falls of Niagara, including both 
Branches with the Island and adjacent Shores, taken 
from the Vicinity of the Indian Ladder. 

Tinted aquatints by Merigot, after the painting by J. Vander- 

lyn. Published London, 1804. Large folios. Framed. (2) 


FALLS OF NIAGARA 
From Clifton House. Colored lithograph by N. Currier. Pub- 
lished New York (1843). Small oblong folio. Framed. 


NIAGARA AND ITS WONDERS 

Niagara Suspension Bridge. The small views surrounding 
larger centre panel of the Bridge. Colored lithograph by 
E. C. Kellogg. Published Hartford. Folio. Framed. 


ELLIOTTSVILUE, 8. I. 

From the Water Front. Colored lithograph by F. & S8. 
Palmer, 55 Ludlow Street, New York. Folio. Framed. 

A very rare print. 


22 


129 


130 


131 


132 


133 


134 


135 


136 


NEW ROCHELLE 

Double Villa at New Rochelle, Westchester Co., N. Y. The 
property of John B. Murray, Esq., New York. Colored litho- 
graph by Endicott & Co., New York. Folio. Framed. 

An unknown American lithograph. 


PHILADELPHIA 
Colored lithograph. Drawn on stone by C. Matter. Pub- 
lished by J. H. Locher, New York. Large folio. Framed. 


PANORAMA OF PHILADELPHIA 

Chestnut Street, East of Fifth. Colored lithograph by Collins 
and Antenrieth. Published by Schnabel, Finkeldey and 
Demme, Philadelphia, 1856. Small folio. Framed. 


PHILADELPHIA IN THE OLDEN TIME 

General view above of the city with three oval views below 
of The Prison at 3rd and High Sts., 1700. The State House 
as it was in 1735, Old Court House and Friends Meeting 
House, 2nd and Market Sts., 1707. Tinted lithograph by 
F. J. Wade. Published by Smith & Cremens, Washington, 
D. C. Folio. Framed. 


PITTSBURGH 

Great Conflagration at Pittsburgh, Pa., April 10, 1845. 
Nearly 1200 Houses destroyed. Estimated loss of property 
$9,000,000. Colored lithograph by J. Baillie. Published 
New York (1845). Small oblong folio. Framed. 


MUNICIPAL HALL, PITTSBURGH 

New City Hall. J. W. Kerr, Architect. Painted by James 
Steen. Colored lithograph by Otto Krebs. Upright folio. 
Framed. 


UPPER FALLS OF THE GENESEE, AT ROCHESTER, 
NOY. 

From the East bank, looking N. W. Colored lithograph by 

J. Baillie. Published New York. Small oblong folio. Framed. 


VIEW OF ST. LOUIS 

From South of Chouteans Lake, 1840. Colored lithograph 
by S. C. Wild; published at the Missouri Republican Of- 
fice (1840). Small folio. Framed. 


23 


137 


138 


139 


140 


141 


142 


143 


144 


145 


SALEM, MASS. 

South and West Views of Salem, Mass. Colored lithographs 
by Endicott & Co., after the paintings by J. B. Bachelder. 
Published (Boston) 1856. Folios. Framed. (2) 


NORTH CHURCH, SALEM, MASS. 
Painted by J. Ropes. Colored lithograph by W. Sharp. Pub- 
lished by Bouve & Sharp, Boston (1843). Folio. Framed. 


SAN FRANCISCO, CALIFORNIA 

Engraving Colored. Published by Frederick Hess (San 
Francisco). Twenty-two views of individual buildings sur- 
rounding a bird’s-eye view of the city. Published 1874. Ob- 
long folio. Framed. 

Very rare. — 


SAN FRANCISCO, 1849 

Drawn on the spot by Henry Firks for W. H. Jones, Esq. of 
San Francisco, U. C. Two columns of key on either side of 
the title. Published Philadelphia, 1849. Long folio. Framed. 
A very rare print in this state. 


SILVER CREEK, CALIFORNIA 
Colored lithograph by Currier & Ives. Published New York. 
Small oblong folio. Framed. 


SWARTHMORE COLLEGE 
Colored lithograph by T. Moran. Published by James Me- 
Guigan, Philadelphia. Oblong folio. Framed. 


UNITED STATES CAPITAL, WASHINGTON, D. C. 
Colored lithograph by Currier & Ives. Published New York. 
Small oblong folio. Framed. 


WASHINGTON 

Painted by T. Hicks, N. A. Engraved by H. Wright Smith. 
Published New York, 1859. Upright folio. Framed. 

Open letter proof. 


VIEW OF WASHINGTON CITY 

Colored lithograph by E. Sachse & Co. Published Baltimore, 
1859. Three lines of titles of the various buildings and loca- 
tions. Large folio. Framed. 


24 


4 ~ 
ets, ERNE Eta oy ee he Re aT ite ees 
Oe, a a a ce es at eye ee 


ne oy oe Ai 
eo 


146 


147 


148 


149 


150 


151 


152 


TOMB OF WASHINGTON 

Colored lithograph by Robertson, Siebert and Shearman. 
Published by N. S. Bennett, Washington, D. C., 1859, in aid 
of the Ladies’ Mount Vernon Association. Oblong folio. 
Framed. 


WEST 
Golden City C. T.—Looking East. Sketched by A. E. 
Mathews. Colored lithograph. Oblong folio. Framed. 


WHITE MOUNTAINS 

(a) The Notch of the White Mountains, with the Willey 
House. ~ 

(b) Mount Crawford, near the White Mountains, with the 
Mt. Crawford House. 

(c) The Gate of the Notch of the White Mountains, with the 
Notch House. 

Drawn by I. Sprague. Colored lithographs by B. W. Thayer 

& Co. Published by W. Oakes, 1848. Small folios. Framed. 


(3) 


YOSEMITE VALLEY, CALIFORNIA 

The ‘‘Bridal Veil’’ Fall. Colored lithograph by Currier & 
Ives after the painting by F. F. Palmer. Published New 
York, 1866. Large folio. Framed. 


VARIOUS AMERICAN LITHOGRAPHS 


LOTS 150-163 


AMERICAN FARM SCENES 

Colored lithograph by N. Currier after the painting by F. F. 
Palmer. Published New York, 1853. Large folio. Framed. 
One of the scarcest of the large Currier prints. 


AMERICAN LITHOGRAPHS 

My Little Playfellow and the Two Sisters. Colored litho- 
eraphs by N. Currier. Published New York. Small upright 
folios. Framed. (2) 


AMERICAN FARM YARD—MORNING 

Painted by F. EH. Palmer. Colored lithograph by Currier & 
Ives. Published, New York 1857. Large folio. Framed. 
One of the Country Life series. 


25 


153 


154 


155 


156 


157 


158 


159 


160 


161 


CHILDHOOD’S HAPPY DAYS 
Colored lithograph by Currier & Ives. Published New York, 
1863. Folio. Framed. 


COUNTRY SCENES 

(a) The Roadside Mill. 

(b) The Old Ford Mill. 

Colored lithographs by Currier & Ives. Published New York, 
1870. Small oblong folios. Framed. (2) 


HIAWATHA’S WOOING 

Three stanzas of verse beneath title. Colored lithograph on 
stone by L. Maurer after the painting by Hoomer. Published 
by Currier & Ives, 1860. Folio. Framed. 


THE MILLER’S HOME 
Colored lithograph by Currier & Ives. Published New York 
(1860). Folio. Framed. 


THE RETURN FROM THE PASTURE 

Painted by F. F. Palmer. Colored lithograph by Currier 
& Ives. Published New York (1857). Large folio. Framed. 
One of the famous Country Life series. 


THE STEPPING STONES OF LIFE 

The Stages of Woman’s and Man’s Life from the Cradle 
to the Grave. Quaint verses beneath each step. Colored 
lithograph by N. Currier. Published New York, 1850. Small 
folios. Framed. (2) 


THE SALE OF THE PET LAMB 
Colored lithograph by Currier & Ives, published New York. 
Small oblong folio. Framed. 


THE SOLDIER’S ADIEU 

Colored lithograph by Currier. Published New York. Small 
upright folio. Framed. 

One of the earlier of Currier’s prints, displaying unusual 
skill in coloring. 


WINTER MORNING 
Colored lithograph by F. F. Palmer. Published by Currier 
& Ives, New York, 1861. Folio. Framed. 


26 


162 THE WONDERFUL ALBINO FAMILY 


163 


Rudolph Lucasie, wife and children, from Madagascar. They 
have pure white skin, silken white hair and pink eyes. Ex- 
hibited at Barnum’s Museum. Colored lithograph by Cur- 
rier & Ives. Small upright folio. Framed. 

One of the Barnum’s series. 


THE YOUNG SAILOR 


Colored lithograph by N. Currier. Published New York, 
1849. Small upright folio. Framed. 


27 


164 


165 


166 


167 


168 


169 


Very rare. 


SECOND SESSION 
LOTS 164-351. 


AMERICANA 
LOTS 164-202 
AMERICA GUIDED BY WISDOM 


York. Large folio with matted black oe 
Framed. 


BATTLE OF GETTYSBURG, PA. Soe ahe 

July 38rd, 1863. The Third Day. Drawn by F. Fuchs. Col- 
ored lithograph by Charles Magnus. Published Ari Yo é 
1868. Folio. Framed. | 


BATTLE OF NEW ORLEANS Ete 
Colored lithograph by John Landis. Published (Philad ) 
phia) 1840. With key of position of commanding ates is 
Large folio. Framed. | A 


THE BATTLE AT BUNKER’S HILL . 
Near Boston, June 17, 1775. Painted by John Turnbull. 
graved by J. G. Muller. Published London, 1798. 

folio. Framed. ve 


THE BRITISH SURRENDERING AT YORK TOWN — 
The British Surrendering their Arms to Genl. Washingt 
after their defeat at York Town in Virginia, October 1781. — 
Drawn by John Francis Renault. Engraved by Tanner, Val-— 
lance, Kearney & Co. and Wm. Allen. Large folio. Framed. 


28 


THE LIFE OF A FIREMAN 
MWitTH PENCIL NOTES OF THE MEMBERS OF THE COMPANY 


[85] 


[201] : 
6S8I “I “I ‘ASUYNOD NOINN LV HOLVIN DNILLOUL 


AGES CARVE tte URRAT EA “BUND 
‘ AI GMI 6S WAL aeaeds 
2 CERGLEES RM GSR VE ARAL SR bebe ress 


ast a pe > eee maine ana ane : 


& 8 OF Si CTI “aa ‘mon RAO WERE ate wo va ™ ao nom 


Kany grin ox Breer os 


ONE OF A REMARKABLE SERIES OF 18 VIEWS OF NEW YORK 


[110] 


LIFE ON THE PRAIRIE: THE TRAPPERS’ DEFENCE—FIRE FIGHT FIRE 


[177] 


Be 1HOMAS NAST. SIGNED AND. DATED FEB; 28, 1861 
WILLARD’S HOTEL, WASHINGTON—THE GENTLEMEN’S PAR- 
Horm sOowiING ABRAHAM LINCOLN SEATED IN A DOUBLE 

SET EER BEFORE THE OPEN FIRE, MEDITATING 


[189] 


WILLARD’S HOTEL, WASHINGTON—THE LADIES’ PARLOR 
BY THOMAS NAST, 1861 
[190] 


MORNING AFTER THE STORM: THE HUSBAND'S RETURN ~ 


PAINTED BY W..R. BIGG. .MEZZOTINT PRINTED IN COLOR BY 
W. WARD, 1798 


[230] 


THE SPORTSMAN’S RETURN 
PAINTED BY G. MOORLAND. MEZZOTINT PRINTED IN COLOR 
BY W. WARD, 1792 


[231] 


[to¢] nies, ; 


IONVD ‘M AD Hd VADOHLIT GAYNOTOON AUNVA 
ONIHSIA NOWIVS 


170 


171 


172 


173 


174 


175 


176 


CAMP MEETING 
Colored lithograph by Kellogg & Comstock. Published New 
York & Hartford. Small oblong folio. Framed. 


CIVIL WAR 

Battle of Mill Spring, Ky., Jan. 19th, 1862. Terrific bayonet 
charge of the 9th Ohio Volunteers, ete., ete. Colored litho- 
graph by Currier & Ives. Published New York. Small ob- 
long folio. Framed. 


CIVIL WAR 

Ravine occupied by the Picket Reserves of Brig. Gen. Joseph 
Hooker’s Division, at the Siege of Yorktown, April 1, 1862. 
Colored lithograph by Jno. B. Bachelder. Published by 
Endicott & Co., New York, 1862. Folio. Framed. 


CIVIL WAR 

Battle of Pea Ridge, Arkansas, March 8th, 1962. Terrific 
Fighting of the Union Forces under Gen’. Curtis. Colored 
lithograph by Currier & Ives. Published New York, 1862. 
Small oblong folio. Framed. 


CIVIL WAR 
(a) Brig. General Nathl. Lyon, Commanding United States 
Army in Missouri. | 
(b) Major Genl. McClellan. 
Colored lithographs by Kellogg and Currier & Ives. Pub- 
lished New York, (1862). Small upright folios. Framed. 
(2) 


CIVIL WAR ) 

(a) The Soldier’s Dream. Colored lithograph by E. C. 
Kellogg, Hartford, Conn. 

Published by Phelps & Watson, New York. 

(b) The Soldier’s Dream of Home. Colored lithograph by 
Currier & Ives. 

Published New York. Small oblong folios. Framed. (2) 


DEATH OF GENERAL MONTGOMERY 

In the attack on Quebec, Dec. 1775. Painted by John Trum- 
bull. Engraved by I. T. Clemens. Published London, 1798. 
Large folio. Framed. 


29 


177 


178 


179 


180 


181 


182 


183 


EARLY WESTERN LIFE 

Life on the Prairie—The Trapper’s Defence. ‘‘Fire fight 
Fire.’’ Painted by A. F. Tait. Colored lithograph by Cur- 
rier & Ives. Published New York, 1862. 

A spirited print depicting the hardships and adventures of 
the early Western pioneers. Rare. 


[SEE ILLUSTRATION | 


EARLY WEST 

The Seout. A Half Breed Scout mounted, on a knoll on 
outpost duty. The Plains in the distance. Colored litho- 
eraph by A. Miller, 1861. Framed. 


GALLANT CHARGE OF THE ‘‘SIXTY-NINTH”’ ON THE 
REBEL BATTERIES AT THE BATTLE OF BULL- 
RUN, VA., JULY 21, 1861 

Colored lithograph by Currier & Ives. Published New York 

(1861). Small oblong folio. Framed. 


THE GALLANT CHARGE OF THE KENTUCKY CAV- 

ALRY UNDER COL. MARSHALL AT THE BATTLE 
OF BUENA VISTA, FEBY 238, 1847 

Colored lithograph by N. Currier. Published New York, 1847. 

Small oblong folio. Framed. 


GENERAL MARION IN HIS SWAMP ENCAMPMENT 
Inviting a British Officer to Dinner. Painted by John B. 
White, Charleston, 8. C. Engraved by John Sartam. Folio. 
Framed. 


THE GREAT WEST 

Colored lithograph by Currier & Ives. Published New York, 
1870. Small oblong folio. Framed. 

Depicting the early railroad train leaving the Rooker and 
crossing the Plains. Rare. 


INDIANS 

Game of the Arrow. Archery of the Mandan Indians—Head 
Waters of the Missouri. Painted by Catlin. Colored litho- 
graph by Currier & Ives. Published New York. Folio. 
Framed. 


30 


184 


185 


186 


187 


188 


189 


INDIANS 

The Sealp Dance. Painted by Catlin. Colored lithograph 
by M. C. Gahey. Published by Day & Haghe, London. Folio. 
Framed. 


INDIANS 

The Buffalo Dance—To Make the Buffaloes Come. Painted 
by Catlin. Colored lithograph by Currier & Ives. Published 
New York. Folio. Framed. 


INDIANS 

Pehriska—Ruhpa. Moennitarri Warrior in the Costume of 
the Dog Dance. Painted by Charles Bodmer. Lithograph 
by Rene Rollet. Published by Ackermann, London. Folio. 
Framed. 


INDIAN FAMILY 


Colored lthograph by N. Currier. Published New York 
(1843). Small upright portfolio. Framed. 


THE LEXINGTON OF 1861 

The Massachusetts Volunteers Fighting their Way through 
the Streets of Baltimore, on their March to the Defence of 
the National Capitol April 19, 1861. Hurrah for the Glor- 
ious 6th. Colored lithograph by Currier & Ives. Published 
New York. Small oblong folio. Framed. 


LINCOLN 
Willard’s Hotel, Washington, by Thomas Nast, 1861. 
Interior View of ‘‘Gentlemen’s Parlor,’’ Reading and Sitting 
Room at Willards Hotel during the Inauguration week. Pic- 
turing a group of statesmen, army officers and gentlemen in 
evening dress, some in dignified standing positions, others 
diligently applying their attentions to the daily papers. In 
the right foreground seated in a double settee before the open 
fire is drawn the figure of Abraham Lincoln in a meditative 
attitude. 
Original wash drawing by Thomas Nast, signed and dated 
February 28, 1861. Framed. 

Height, 10 inches; width, 14 inches 
It would be difficult to find a more interesting contemporary 
pictorial document pertaining to the famous Lincoln period, 
and the added talent of so famous an artist as Thomas Nast 
goes far to make this item of the utmost importance. 


[SEE ILLUSTRATION | 
31 


190 LINCOLN 


191 


192 


193 


194 


195 


Willard’s Hotel, Washington, by Thomas Nast, 1861. 
Interior of Ladies’ Parlor at Willards Hotel, Washington, 
during the Inauguration Week, depicting a group of stately 
ladies in their silks and finery, on which is reflected the light 
of the many chandeliers. 

Original wash drawing by Thomas Nast, signed and dated 
March 6th, 1861. Framed. Height, 10 inches; width, 14 inches 
Companion piece to the preceding lot. 


[SEE ILLUSTRATION | 


MARION’S BRIGADE CROSSING THE PEDEE RIVER, 
S. C., 1778 

On their Way to Attack the British Force under Tarleton. 

Colored lithograph by Currier & Ives. Published New York. 

Small oblong folio. Framed. 


METHODISTS’ CAMP MEETING IN AMERICA 
Painted by J. Milbert. Colored aquatints by M. Dubourg. 
Published, London, 1819. Small oblong folios. Framed. (2) 


MEXICAN WAR 

Attack on the Castle of Chapultepec, by Gens. Quitman and 
Shields, divisions, September 13th, 1847. Colored lithograph 
by N. Currier. Published New York, 1848. Small oblong 
folio. Framed. 


MEXICAN WAR 

Gen’] Ampudia Treating for the Capitulation of Monterey 
with Gen’l Taylor, September 1846, and Capitulation of 
Vera Cruz, 1847. Colored lithographs by N. Currier. Pub- 
lished New York, 1846 and 1847. Small oblong folios. 
Framed. (2) 


PETER FRANCISCO’S GALLANT ACTION 

With nine of Tarleton’s Cavalry in sight of a troop of Four 
Hundred Men, 1781. Designed by Warrell. Drawn by Bar- 
ralett. Engraved by D. Edwin. Colored. Published by 
James Webster, 1814. Large folio. Framed. 


32 


196 


497 


198 


199 


200 


201 


202 


RAILROADS 

The Dreadful Accident on the North Pennsylvania Rail-road. 
About 14 miles above Philadelphia, on Tuesday, July 17, 
1856, with three columns of history. Colored lithograph 
from a drawing taken upon the spot. Published by John 
L. Magie, Philadelphia (1856). Small folio. Framed. 


SIGNING OF THE DECLARATION OF INDEPEN- 
DENCE 

Declaration De 1’Indépendance Des Etats-Unis D’Amérique, 

July 4th, 1776. Painted by John Trumbull. Engraved by 

Jazet. Large folio. Framed. 


SURRENDER OF CORNWALLIS 

At York-Town, Va., Oct. 1781. With one line of key giving 
position of Hamilton, Lafayette, Washington, Cornwallis, ete. 
Colored lithograph by N. Currier. Published New York, 1845. 
Framed. 


THROUGH TO THE PACIFIC 

Colored lithograph by Currier & Ives. Published New York, 
1870. Small oblong folio. Framed. 

Foreshortened view of the Far West, picturing the Plain and 
lumber industries, and with a view of the Rockies and San 
Francisco. 


VIEW OF CHAPULTEPEC 

And Molino Del Rey (After the Battle) 1847. Colored litho- 
graph by N. Currier. Published New York, 1847. Small ob- 
long folio. Framed. 


WASHINGTON CROSSING THE DELAWARE 
Colored lithograph by Sarony Major & Knapp. Published 
New York. Folio. Framed. 


WASHINGTON’S RECEPTION AT TRENTON 

By the Ladies, on Passing the Bridge at Trenton, N. J., April 
1789, on His Way to New York to be Inaugurated First Presi- 
dent of the United States. Colored lithograph by N. Cur- 
rier. Published New York, 1845. Small upright folio. 
Framed. 


33 


MARINE—WHALING—NAVAL AND STEAM SHIPS, ETC. 


203 


204 


205 


206 


207 


208 


LOTS 203-225 


THE CLIPPER YACHT ‘‘AMERICA’”’ 

Winner of the Royal Yacht Squadron Cup, 1851. Built by 
Mr. George Steers of New York for Jno. C. Stevens, Esqr. 
and associates of the New York Yacht Club. Colored litho- 
graph by N. Currier. Published New York. Folio. Framed. 


SLOOP YACHT ‘‘MAYFLOWER”’ 

Modelled by Edward Burgess, Boston, Mass. Winner of the 
two Races for the ‘‘ America’s Cup’’ 1886. Two columns 
of dimensions. Colored. Lithograph by Currier & Ives. 
Published New York, 1886. Small oblong folio. Framed. 


SCHOONER YACHT ‘‘MADGIE,.’’ 111 TONS 

R. F. Loper, Constructor. Tinted lithograph by W. H. 
Rease. Published Philadelphia. Folio. Framed. 

Scarce. 


STEAM SHIP ‘‘CITY OF NEW YORK”’ 

Liverpool, New York and Philadelphia Steam Ship Com- 
pany’s Steam Ship. 2560 Tons. Length 350 feet. Capt. 
T. Kennedy. Colored. lithograph by A. A. Turner. Pub- 
lished by D. Appleton & Co., New York. Folio. Framed. 


THE IRON STEAM SHIP ‘‘LEVIATHAN,”’’ 2500 TONS 
Constructed under the direction of J. K. Brunel. Commanded 
by Capt. William Harrison. Two columns of dimensions on 
either side of title. Colored lithograph by C. Parsons. Pub- 
lished by Currier & Ives, New York, 1858. Large folio. 
Framed. 


THE ‘‘VICTORIA’’ STEAM TUG 

And the ‘‘Magazine’’ Life Boat. Rescuing Passengers from 
the ‘‘St. Andrew,’’ New York Packet Ship, off Liverpool, 
1839. Painted by Walters. Colored lithograph by Day and 
Hoghe. Published London, 1839. Folio. Framed. 


34 


209 


210 


211 


212 


213 


214 


ORIGIN OF STEAM NAVIGATION 

‘‘Honor to whom Honor is due.’’ A View of Collect Pond 
and its vicinity in the City of New York in 1795. Drawn 
and lithographed by J. Penniman. Published by John 
Hutchings, New York, 1846. Large folio. Framed. 

‘‘The world is indebted to the original idea and mechanical 
genius of John Fitch of East Windsor, Conn., & the per- 
Severance and indefatigable attention to the use of steam of 
Robert Fulton, Esq.’’ Two columns of data gathered by John 
Hutchings reproduced, headed by pictorial designs of the 
Fitch model on either side of a map of Collect Pond, on which 
John Fitch tried his first boat propelled by paddle wheels. 

A most interesting and comprehensive item on the subject of 
early steam boat achievement. 


VIEW OF BRITISH STEAM VESSELS 

As designed and constructed by Barrodall Robert Dodd. -In- 
set view of the interior of the principal cabin. Colored aqua- 
tint. Published by R. Ackermann, London, 1817. Folio. 
Framed. 

An American Steam vessel of 1817 in the distance. 


THE OPENING OF SHEERNESS DOCKS 

September 5th, 1823. Painted by W. J. Huggins. Aquatint 
in colors, engraved by E. Duncan. Published by W. J. Hug- 
gins, London, 1828. Large folio. Framed. 


ROYAL AQUATIC EXCURSION TO GREENWICH HOS8- 
PITAL 

Aquatint in colors. Published by R. H. Laurel, London, 1838. 

Folio. Framed. 


NAVAL ENGAGEMENT—LOUISBOURG HABOUR 

The Burning of the President and Capture of the ‘‘Bien- 
faisant’’ on July 26, 1758. Painted by R. Paton. Engraved 
by P. C. Canot; colored. Folio. Framed. 


PERRY’S VICTORY 

Colored lithograph. Artist and publisher unknown. Action 
on Lake Erie. Folio. Framed. 

Very scarce. 


30 


215 


216 


217 


218 


219 


220 


221 


U. 8S. REVENUE CUTTER ‘‘FORWARD”’ 

Capt H. B. Nones. With Maull’s Patent horizontal and seam’d 
Canvas Sails. Tinted lithograph by I. Childs. Published by 
F, Kuhl. Philadelphia. Folio. Framed. 

Very rare. 


‘‘CONSTITUTION’’ AND ‘‘JAVA’’ 
Colored lithograph by N. Currier, published New York, 1846. 
Small folio. Framed. 


U. §. STEAM SCREW FRIGATE ‘‘MINNESOTA”’ 
Captain 8. F. Du Pont, with the Hon. W. B. Reed, Min- 
ister to China, on Board. Two lines of dimensions and de- 
scription. Painted by Lozier. Colored lithograph by Endi- 
cott & Co., New York. Large folio. Framed. 


BATTLE OF LAKE ERIE 

Fought September 10, 1815. Second View. Dedicated to 
Commodore Perry, his officers and gallant crews, by James 
Webster. Drawn by Sully and Kearny. Etched by C. Tie- 
bout and engraved by G. Murray. Published Philadelphia, 
1815. Folio. Framed. 

An original old impression of the plate. Rare. 


SOUTH SEA WHALE FISHERY 

Ship ‘‘Amelia Wilson’’ and ‘‘Castor’’ off the Island of 
Bouro—with their Boats and Crew in the various processes 
of Fishing, showing the manner the Spermaceti whales are 
caught, ete, etc. Painted by W. J. Huggins, Marine Painter 
to his Majesty. Engraved by T. Sutherland. Colored. Pub- 
lished, London. Folio. Framed. 


THE NORTH WEST OR DAVIS’S STRAITS WHALE 
FISHERY 

Painted and aquatinted in color by Robert Dodd. Published 

by John and Josiah Baydell, London, May 1, 1789. Large 

folio. Framed. 

A very rare aquatint and in fine condition. 


THE NORTH WEST OR DAVIS’S STRAITS WHALE 
FISHERY 

Line engraving by Fran. Ambrosi after the painting by Rob- 

ert Dodd. Colored. Small folio. Framed. 

Companion to preceding lot. 


36 


222 


223 


224 


225 


226 


227 


228 


THE GREENLAND WHALE FISHERY 
Line engraving by Fran. Ambrosi after the painting by ae 
ert Dodd. Colored. Small folio. Framed. 


DUTCH HARBOR SCENES 

De Haven Van Schiedam. 

Engraving by M. Sallieth after the painting by de Jong. Pub- 
lished Amsterdam (1802). Colored. Small folio. Framed. 


DUTCH HARBOR SCENES 

Haven Van Vlissingen in Zeeland. 

Engraving by M. Sallieth after the painting by de Jong. 
Published Amsterdam (1802). Colored. Small folio. 
Framed. 


DUTCH HARBOR SCENES 

De Haven Van Enkhuysen. 

Engraved by M. Sallieth after the painting by de Jong. Pub- 
lished Amsterdam (1802). Colored. Small folio. Framed. 


FINE ENGLISH COLOR PRINTS 
BY GEORGE MORLAND, WARD, BIGG, ETC. 


LOTS 226-233 


THE BARN DOOR 
Painted by George Morland. Mezzotint printed in color by 
W. Ward. Published London, 1792. ‘Folio. Framed. 


SMUGGLERS, NO. 2 

Painted by G. Morland. Mezzotint printed in color by J. 
Ward. Published London, Nov. 1, 1793, by J. R. Smith. 
Folio. Framed. 

Repaired and mounted. 


BRITISH PLENTY AND SCARCITY IN INDIA 
After the painting by H. Singleton, engraved in color by 
Bartolotti. Large folios. Framed. (2) } 


37 


229 


230 


231 


232 


233 


234 


THE STORMY NIGHT 

A Wife awaiting the return of her Husband. Title repeated 
in French. Painted by W. R. Bigg, A.R.A. Mezzotint 
printed in color by W. Ward. Published by W. R. Bigg, 
London, 1798. Large folio. Framed. 

This and the following companion print are very fine ex- 
amples of early English color printing, in excellent condition 
with margins and full titles. 


MORNING AFTER THE STORM. THE HUSBAND’S 
RETURN 

Title repeated in French. Painted by W. R. Bigg, A.R.A. 

Mezzotint printed in color by W. Ward. Published by W. R. 

Bigg, London, 1798. Large folio. Framed. 

Companion to the preceding print. 


[SEE ILLUSTRATION | 


THE SPORTSMAN’S RETURN 

Painted by G. Morland. Mezzotint printed in color by W. 
Ward. Published London 1792. Large folio. Framed. 
An exceedingly fine impression with margins and full title. 


[SEE ILLUSTRATION | 


SATLOR’S CONVERSATION 

Mezzotint printed in colors. Painted by G. Morland, engraved 
by W. Ward, published London, 1802, by J. R. Smith. Large 
folio. Framed. 

A very fine impression in colors. 


THE SMITHY 

To his Grace the Duke of Hamilton . . . this plate is re- 
spectfully dedicated. Painted by G. Garrard. Mezzotint by 
W. Pether. Published by T. Simpson, London, 1787. Folio. 
Framed. 


AMERICAN AND ENGLISH SPORTING PRINTS 
LOTS 234-314 


ALARM 

The Property of Charles Greville, Esq., was got by Venison 
out of Southdown by Defence. Painted by J. F. Herring. 
Engraved by J. Harris. Colored by C. Simpson. Published 
by Baily Brothers, London. Large folio. Framed. 


38 


239 


236 


237 


238 


239 


240 


241 


242 


243 


SET OF FOUR COLORED ALKEN HUNTING PRINTS 
The Stag Hunt, the Fox Hunt, and the Hare and Rabbit Hunt. 
After the paintings by S. Alken, engraved and colored by 
T. Sutherland and G. Maile. Long oblong folios. Framed. 

(4) 


ANVIL 

Painted by George Stubbs. Engraved by Geo. Townly Stubbs, 
engraver to H. R. H. the Prince of Wales. Colored. Pub- 
lished London, 1794. Folio. Framed. 


ARCHERY 
Engraved by Orlando Hodgson. Colored. Published Lon- 
don, 18382. Small oblong folio. Framed. 


ARTAXERXES 

Age 12 years. The property of Chas. Enderly, Esq. Painted 
by F. C. Turner. Engraved by R. G. Reeve. Finely colored. 
Published London (1837). Large folio. Framed. 


THE AUBURN HORSE 

Driven by his owner, Robert Bonner, Esquire. Colored litho- 
graph by Currier and Ives after the painting by J. Cameron. 
Published New York, 1866. Large folio. Framed. 


BASS FISHING 

In a cove off Manhasset Bay, Long Island. 

Colored lithograph by Currier & Ives. Published New York, 
1860. Small folio. Framed. 


BEAR BAITING 
Painted by H. Alken. Colored aquatint by I. Clark. Pub- 
lished London, 1820. Small oblong folio. Framed. 


THE BEAUFORT HUNT 

Painted by William & Henry Barrand. Engraving, colored, 
by William Giller. Published by Henry Graves & Co., Lon- 
don, 1847. Large folio. Framed. 


BILLIARDS 

Drawn by W. H. Pyne, Aquatint in colors by G. Hunt. (Pub- 
lished London, 1800). Small oblong folio without margins. 
Framed. 


39 


244 


245 


246 


247 


248 


249 


BROOK TROUT FISHING—‘AN ANXIOUS MOMENT”’ 
Painted by A. F. Tait, on stone by Ch. Parsons. Colored 
lithograph by Currier & Ives. Published New York, 1862. 
Largo folio. Framed. 


THE AGE BRIGHTON COACH IN 1852 

Painted by W. J. Shayer. Engraved by Charles Hunt. Col- 
ored. Large folio. Framed. 

A fine impression. 


COACHING 

(a) Retour au Chateau—Poste Anglaise. 

(b) Promenade au Bois de Boulogne. 

Colored lithographs by De Bonne Maison. Published 1860. 
Large folio. Framed. 


HIS MAJESTY KING GEORGE IV TRAVELLING 

View of Hyde Park. Painted by Pollard. Engraved by M. 
Dubourg. Colored. Published London, 1821. Folio. 
Framed. 


SET OF EIGHT COACHING PRINTS 

Doing the Handsome on quitting the Green. 

A Lesson for the Horsekeeper. 

Warranted to go in Harness. 

The 1st of September. 

Accidents will happen to the best appointed Coaches. 

A Lazy Horsekeeper for the Mail. 

Queer Piece of Ground in a Fog. 

A Pleasure—The Finish. 

Painted by C. B. Newhouse, Engraved by 8. G. Hughes. Col- 
ored. Published by G. S. Tregear, London, 1834. Small 
folios. Framed. (8) 


THE COCK PIT 

An original sketch from which it is presumed Hogarth took 
his well-known picture. Colored lithograph by A. Ducotes. 
Published by T. McLean, London, 1837. Small folio. Framed. 
With key. 


40 


250 


251 


252 


253 


204 


239 


256 


COACHING 

(a) Getting a Team together. 

(b) The Remains of a Stanhope. 

Painting by H. Alken. Engravings colored. Published by 

Thos. McLean, London, 1827. Small oblong folio. Framed. 
(2) 


COACHING 

(a) Chaise de Poste. 

(b) Messageries Nationales. 

Painted by V. Adam. Colored lithographs by A. Godard. 
Published Paris. Folios. Framed. (2) 


THE CHASE OF THE ROEBUCK 

Dedicated by permission to E. M. Pleydell, Esq., many. years 
Master of a Pack of Roebuck Hounds. From the original 
drawing by W. P. Hodges, Esq. Engraved by H. Alken 
and R. G. Reeve. Published London, 1834. Oblong folio. 
Framed. 

A fine colored early impression of this rare hunting print. 


A CHANCE FOR BOTH BARRELS 

Painted by A. F. Tait. Colored lithograph by Currier & 
Ives. Published New York, 1857. Large folio. Framed. 
A. F. Tait was one of the ablest artists employed by the 
old firm of N. Currier, and Currier & Ives. He was par- 
ticularly noted for his paintings of American sports. 


COACHING | 

North Country Mails at the Peacock, Islington. Painted by 
James Pollard. Engraving, colored, by T. Sutherland. Large 
folio. Framed. 


COACHING 

Serious Times. Three Blind Un’s and a Bolter. 

Painted by H. Alken. Colored engraving, published by R. 
Ackermann, London, 1833. Folio. Framed. 


CAMPING OUT 

‘Some of the Right Sort.’’ Colored lithograph by N. Cur- 
rier after the painting by L. Maurer. Published New York, 
1856. Large folio. Framed. 


41 


207 


258 


259 


260 


261 


262 


263 


264 


COLONEL MORDAUNT’S COCK MATCH 

At Lucknow in the Province of Inde in the year 1786. Mez- 
zotint by R. Earlom, after the painting by J. Zoffany; col- 
ored. Published London, 1792. Large folio. Framed. 


DUCK SHOOTING 

Engraved by T. Simpson, printed in sepia. Published Lon- 
don, 1790. Small folio. Framed. 

Fine impression. 


DUNGANNON 

Painted by George Stubbs. Engraved by Geo. Townly Stubbs, 
inseribed to H. R. H. the Prince of Wales. Colored. Pub- 
lished London, 1794. Folio. Framed. 


) 


EPSOM 

Preparing to Start. Painted by Jas. Pollard. Engraved 
and colored by Chas. Hunt. Published London, Feby 1, 1836, 
by Ackermann & Co. Folio. Framed. 

Fine impression. 


FOX CHASE—THE DEATH 
Colored lithograph by N. Currier. Published New York, 
1846. Small oblong folio. Framed. 


SET OF THREE COLORED FOX HUNTING PRINTS BY 
ALKEN 

Gone Away, Drawing a Cover, The Leap. Painted by H. 

Alken. Engraved by Sutherland. Colored. Published Lon- 

don, 1818. Folios. Framed. (3) 


FOX HUNTING 

The Meet, The Field, Full Cry and The Death. Set of four 
colored lithographs by Currier & Ives. Published New York. 
Folios. Framed. (4) 
A scarce set. 


FOX HUNTING SCENES. THE DEATH 
Steeplechase scenes. Colored lithographs by F. Sala & Co. 
Published London. Folios. Framed. (2) 


42 


265 


266 


267 


268 


269 


270 


271 


FOX HUNTING 

Set of 4 colored Hunting prints, plates 1 to 4. Painted by 
Wolstenholme, engraved by Reeve. Published London, Oct. 
1, 1810. Oblong folios. Framed. 

A very decorative and interesting set. 


FOX HUNTING 

Set of four engravings in color, plates 1 to 4. Painted by 
James Pollard. Engraved by T. Sutherland. Published Lon- 
don. Folios. Framed. 

A very desirable series. 


FOX HUNTING 
Death of the Fox. Colored Mezzotint by John Fairburn. 
Published London, July 14, 1794. Oblong folio. Framed. 


FOX HUNTING 

Moore’s Tally Ho! to the Sports. The Noble Tips. Plate I. 
Tipperary Boys. The Marquis at Home. Plate II. Tippe- 
rary Melody. Plate III. Tipperary Glory. Plate IV. Tip- 
perary ‘‘Killing no Murder.”’ 

Painted by F. C. Turner. Engraved by G. Hunt and J. R. 
Mackrel. Colored. Published by J. W. Moore, London, 1853. 
Large folios. Framed. (4) 


FOX HUNTING 

Hon. J. J. Drake in red coat mounted on White Sorrel. 
Painted by William and Henry Barrand. Engraving, col- 
ored, by William Giller. Published by J. Ryman, London, 
1846. Large folio. Framed. 


THE FOX HUNTER 

Two stanzas of verse, one on either side of title. Colored 
lithograph by N. Currier. Published New York (1845). 
Small oblong folio. Framed. 


FOX HUNTING 

Heading the Fox and Thrown Out. 

Aquatints in color by C. Turner. Published London, 1814. 
Small folios. Framed. (2) 
Rare. 


43 


272 


274 


275 


276 


277 


278 


FOX HUNTING 

Taking a Lead and The Southern Hounds. Aquatints in 
color by C. Turner. Published London 1813. Small folios. 
Framed. (2) 
Rare. 


A GOOD CHANCE 

Colored lithograph by Currier & Ives after the painting by 
A. F. Tait. Published New York, 1863. Large folio. Framed. 
Scene laid in the Adirondacks. Shooting deer from a canoe. 


JOHN C. HEENAN, CHAMPION OF THE WORLD 
Born in West Troy, New York, 1835, Beat the Champion 
of England in 42 rounds, April 17th, 1860. Colored litho- 
graph by Currier & Ives. Published New York. Small up- 
right folio. Framed. 


A HIGH METTLED ONE 
Painted and engraved by H. Alken. Colored. Published 
London, 1820. Small folio. Framed. 


HIGHFLYER 

The Property of Mr. Tattersall. Painted and etched by S. 
Gilpin. Engraved by F. Jukes. Colored. With further 
data in two columns on either side of title. Published Lon- 
don, 1792. Folio. Framed. 


THE HUNTERS SHANTY 
In the Adirondacks. Colored lithograph by Currier & Ives. 
Published New York, 1861. Large folio. Framed. : 


HUNTING CASUALTIES 

(a) Dispatched to Head Quarters—Taking it with a Military 
Seat. 

(b) Up to Sixteen Stone—Master of my Weight, but would 
rather my Weight was master of him. 

(c) A Mutual Determination. If he goes on this rate I am 
afraid I must part with him. 

Colored lithographs by N. Currier. Published New York 

(1845). Small folios. Framed. (3) 


44 


a SP, ne ee ? 


279 


280 


281 


282 


283 


284 


285 


286 


HUNTING, FISHING AND FOREST SCENES 
Shantying on the Lake Shore. Colored lithograph by Cur- 
rier & Ives. Published New York, 1867. Large folio. 
Framed. 


HYDE PARK CORNER 

Scenes on the Road, or a Trip to Epsom and back. Painted 
by James Pollard. Engraving, colored, by J. Harris. Pub- 
lished by Ackermann & Co., London, 1838. Large folio, 
mended. Framed. 


THE JOCKEY’S DREAM 
Colored lithograph by Currier & Ives. Published New York, 
1880. Small oblong folio. Framed. 


JOHNSON’S PEDESTRIAN HOBBYHORSE RIDING 
SCHOOL 

At 377 Strand and 40 Brewer Street, Golden Square. Six 
lines of directions and description of the use of the machine. 
Colored aquatint by R. Ackermann. London, 1819. Small 
folio. Framed. 

Every evidence would suggest that the ‘‘ Hobbyhorse’’ was 
the forerunner of the Bicycle. 


LIFE IN THE CAMP 

Preparing for Supper. Painted by Thos. Nast. Colored 
lithograph by Currier & Ives. Published New York, 1863. 
Folio. Framed. 


LONDON ROYAL MAIL IN A SNOW STORM 
Painted by Mays. Engraving, colored, by G. Alken. Lacks 
title. Large folio. Framed. 


MAIL COACH 
Painted by James Pollard. Engraved by M. Dubourg. Col- 
ored. Published London, April 7th, 1824. Folio. Framed. 


MARKET HARBOROUGH 

(a) I should say your Horse would Die. 

(b) Line, Sir! Line. 

After the paintings by F. C. Boult. Colored engraving. Pub- 
lished by Messrs. Fores, London. Folios. Framed. (2) 


45 


287 


288 


289 


290 


291 


292 


293 


294 


JOHN MYTTON, ESQR. 

Halston, Salop. From the original picture in the possession 
of John Bishton Minor, Esq. Engraved miniature in colors. 
Framed. 


ORVILLE 

Late the Property of H. R. H. George, Prince of Wales. 
Dedicated to the Rt Honble Earl Fitzwilliam. Painted by 
C. Tomson. Engraved by J. Scott. Colored. Two columns 
on the performances of this fine horse. Published London, 
1812. Folio. Framed. 


OWLING 
Painted by H. Alken. Colored aquatint by I. Clark. Pub- 
lished London, 1820. Small folio. Framed. 


PEDESTRIANS | 

John Ennis and Charles Rowell, the latter winner of the Ast- 
ley Belt. Colored lithographs by Currier & Ives. Published 
New York, 1879. Small folios. Framed. (2) 


THE PURSUIT 

Colored etching. Designed, etched and published by Thos. 
Rowlandson, Mar. 1, 1791. Folio. Framed. 

Rare. 


RACING 

The Start. A field of horses strung out. The Finish. Neck 
and Neck. After Henry Alken, Aquatints in color by J. 
Clark. Published London, 1820. Small oblong folios. 
Framed. (2) 


RACING 
Kentucky. By Lexington-Dam Magnolia, by Glencoe G. D. 
Myrtle by Mameluke—Foaled 1861. Owned by Leonard W. 
Jerome, Esq. of New York. Colored lithograph by Goupel & 
Co. Published by M. Knoedler, New York, 1867. Large folio. 
Framed. 


RACING 

A Close Finish. Painted and engraved by H. Alken. Col- 
ored, Published by Thos. McLean, London, 1820. Small 
folio. Framed. 

Proof before the title. 


46 


| ~ 


pe EE ee Re a a ME eed 


295 


296 


297 


298 


299 


300 


301 


302 


RARUS 

Painted by Kittridge. Engraved and printed by Horner Lee 
& Co., New York, 1878. Colored. Folio. Framed. 

Rarus made his record in Buffalo at 2.1314, August 3rd, 1878. 


RARUS AND ROWDY BOY 

Both with records of 2.1314. Colored lithographs by Cur- 
rier & Ives. Published New York, 1877 and 79. Small folios. 
Framed. : (2) 
THE ROAD VERSUS RAIL 

Fore’s Coaching Incidents. Painted by C. C. Henderson. 
Engraved by J. Harris. Colored. Mended. Published Lon- 
don, 1845. Large folio. Framed. 

ROWING RACE 


The Great International Boat Race, Aug. 27th, 1869. Be- 
tween Oxford and Harvard on the River Thames, near Lon- 
don. Won by Oxford. Colored lithograph by Currier & 
Ives. Published New York (1869). Small oblong Folio. 
Framed. 


TOM SAYERS 
Champion of England. Colored lithograph by E. C. Kel- 
logg, New York and Hartford. Small folio. Framed. 


TOM SAYERS, CHAMPION OF ENGLAND 

Born near Brighton, 1826. Three columns listing his fistic 
battles. Colored lithograph by Currier & Ives. Published 
New York, 1860. Small upright folio. Framed. 


SALMON FISHING 
Colored lithograph by W. Gauci. Printed by M. & H. Han- 
hart. Large folio. Framed. Very rare. 


[SEE ILLUSTRATION | 


A FAMOUS SETTER 

The Property of the Most Noble the Marquis of Ely. Mezzo- 
tint engraved by W. Ward, A.E., after the painting by H. B. 
Chalon. Published by Richard Lambe, London, 1825. Folio. 
Framed. 


47 


303 


304 


305 


306 


307 


308 


309 


310 


SLEIGHING 

Sleighing in North America. Colored aquatint in colors. 
Published London, 1844, by I. W. Laird. Small folio. 
Framed. 


SMOLENSKO 
With full pedigree on either side of title. Painted by M. 
Satorius. Engraved by William Ward. Engraver to their 


R. H. the Prince Regents. Colored. Published London, 1813. 


Folio. Framed. 


THE START AND THE DEATH 
Painted by H. Alken. Engraved by C. P. Stock. Published 
by W. C. Lee, London. Oblong folios. Framed. | (2) 


? 


STEWART’S FAT STEER 
The largest steer in Pennsylvania, etec., ete. Several lines of 
description. Lithograph by Duval and Hunter, published 
1874. Large folio. Framed. 


SWEETBRIER 

Painted by G. Stubbs. Stipple engraving by George Townly 
Stubbs, engraver to his Royal Highness the Prince of Wales. 
Colored. Published London, 1817. Folio. Framed. 


TANDEM 

Engraving, colored. Published London by J. Fairburn. Ob- 
long folio. Framed. 

Very rare. 


A TANDEM NOT QUITE RIGHT 

A Curricle Match. Painted by H. Alken. Engravings col- 
ered. Published by Thos. McLean, London, 1827. Small 
folios. Framed. (2) 


THE TRAPPERS’ CAMP-FIRE 

Colored lithograph by Currier & Ives after the painting by 
F. F. Palmer. Published New York, 1866. Large folio. 
Framed. 


48 


311 


312 


313 


314 


TROTTING 
Lord William. The Property of Samuel Lawrence, Esqr. 
This extraordinary animal trotted a match ... London to 


Brighton in Three Hours and Fifty Minutes. Painted by 
W. J. Shayer. Engraving, colored, by J. R. Machrell. Pub- 
lished London. Large folio. Framed. 


THE TURNPIKE GATE 

Painted by G. Morland. Engraved by W. Ward. Colored. 
Published London, 1806. Folio. Framed. 

Remargined. 


WATER HEN SHOOTING 


SPANIELS 
Painted by H. Alken. Colored aquatints by I. Clark. Pub- 
lished London, 1820. Small oblong folio. Framed. (2) 


YANKEE DOODLE ON HIS MUSCLE 

Or the Way the Benicia Boy astonished the English Men. 
Colored lithograph by Currier & Ives. Published New York. 
Small oblong folio. Framed. 


ETCHINGS, ENGRAVINGS, DRAWINGS, AND EARLY 


315 


316 


317 


318 


AMERICAN SAMPLERS 
LOTS 315-351 


THE BOURSE, PARIS 

Intérieur de la Bourse de Paris. Colored lithograph by E. 
Aubit, after the painting by Aubry. Published Paris (1840). 
Folio. Framed. 


CALAME LITHOGRAPH 

The Storm. Original lithograph. Artist’s proof. Pub- 
lished by Francois Delarue. Paris. Folio. Framed. 

Rare. 


DRY POINT ETCHING 
Young lady with feather hat. Original dry point artist’s 
proof. Signed by Nikolate. Folio. 


ETCHING BY AXEL H. HAIG 
Interior of Westminster. Signed artist’s proof, 1885. Large 
folio. Framed. 


49 


319 


320 


321 


322 


323 


324 


325 


326 


327 


ENGRAVINGS 
Two line engravings, portraits, and two stipples by Barto- 
lozzi. Folios. (4) 


FRANKFORT AND COBLENZ 
Panoramic Views. Colored aquatint by Robert Havell. Pub- 
lished London. Large folio. Framed. (2) 


HAVANA 7 

A Prospect of the Moro Castle and City of Havana from 
Sea, and taken within the Entrance of the Harbor. Drawn 
on the spot by an Officer. Engraved by P. C. Canot; col- 
ored. Published by Jas. Whittle and R. H. Laurie, Lon- 
don, 1818. Oblong folios. Framed. (2) 


HAVANA 

Vue Générale de La Havane. Capitale de l’Isle de Cuba. 
Drawn from nature and engraved by Hippolite Garnerly. 
Finely colored impression. Published Paris. Folio. Framed. 


HORTICULTURE 

Ten sheets of original water-color drawings of flowers by Vin- 
cent Vander Vinne. Folios. (10) 
IRELAND 


Salmon Leap at Leixlip, Kildare County, on the Liffey. 
Painted by Wm. Jones. Engraving, colored, by Giles King. 
Published London. Folio. Framed. 


IRELAND 

The Fenian Martyrs of Ireland, O’Brien, Allen and Larkin. 
Execution at Manchester, Eng’d, Nov. 23, 1867. Their last 
words were ‘‘God save Ireland.’’ Engraved and printed by 
Chas. Hart. Published by Thomas Nally, New York, 1869. 
Folio. Framed. 


LINE ENGRAVING 
Réjouissances Flamandis. Painted by David Teniers. En- 
graved by J. P. Le Bas. Large folio. Framed. 


LINE ENGRAVING 
Pio. Sexto Pont. Max. Painted by Joseph Cades. En- 
graved by Joannes Vopato. Largo folio. Framed. 


50 


EE Se 


328 


329 


330 


331 


332 


333 


334 


335 


336 


337 


LINE ENGRAVING 


Pio. Sexto Pont. Max. Painted by Joseph Cades. En- 
graved by Joannes Vopato. Large folio. Framed. 


LINE ENGRAVING 
Psyche. Painted by Raffaele Sanzio. Engraved by Giovanni 
Battista. Oblong folio. Framed. 


LINE ENGRAVING 
Leoni Duodecimo Pont. Opt. Max. Painted by Michael 
Angelus. Engraved by Aloys Fabri. Large folio. Framed. 


LINE ENGRAVING 
Leoni Duodecimo Pont. Opt. Max. Painted by Michael An- 
gelus. Engraved by Aloys Fabri. Large folio. Framed. 


LINE ENGRAVING 
Fortuna. Painted by Guido Reni. Engraved by R. Strange. 
Proof impression. Large folio. Framed. 


LINE ENGRAVING 
Dante Alighieri. Painted by Stefano Tofanelli. Engraved 
by Raffaello Morghan. Folio. Framed. 


LINE ENGRAVINGS 

Guillaume De Brisacier. Painted by Mignard. Engraved 
Masson, 1664. With two other portraits by Nanteuil. Three 
folios in one frame. 


LINE ENGRAVING 

Johannes Sigisnum Dus Holtzschuher. Painted by T. T. 
Preister. Engraved by G. M. Preister. 4th State. Folio. 
Framed. 


LINE ENGRAVING 

Jonas Paulus Wurster.. Painted by J. Mart Schuster. En- 
graved by G. M. Preister. Published 1727. Second State. 
Folio. Framed. 


LINE ENGRAVING 
Philipp Caspar. Painted by M. F. Kleinert. Engraved by 
I. W. Windter. Published 1738. Third State. Folio. 


Framed. 


51 


338 


339 


340 


341 


342 


343 


344 


345 


A NEGRO MARKET IN THE WEST INDIES 
From a sketeh taken in Antigua in 1831. Colored aquatint. 
Published London. Folio. Framed. 


PANAMA 
The Terrible Accident on the Panama Railroad, May 6, 1856. 
Colored lithograph by John L. Magee. Published Philadel- 


phia (1856). Small oblong folio. Framed. 


PILGRIM’S PROGRESS 

Mr. John Bunyan, Late Minister of the Gospel at Bedford, 
Author of Pilgrim’s Progress, etc., ete. Mezzotint by J. 
Spilsbury, after the painting by T. Sadler, 1685. Published 
London (1780). Small upright folio. Framed. 

A rare old mezzotint, with full margins and complete title. 


RAILROADS 

(a) A Limited Express. Five seconds for Refreshments. 
(b) A Kiss in the Dark. 

Humorous colored lithographs after Thos. Worth by Currier 
& Ives. Published New York, 1881 and 1884. Small oblong 
folios. Framed. (2) 


SHAKESPEARE 

The Birthplace of Shakespeare—Stratford on Avon. Colored 
lithograph by Currier & Ives. Published New York (1843). 
Small folio. Framed. 


EARLY AMERICAN SAMPLER 
Worked in silk on cream ground linen. Alphabet and numer- 
als surrounded by wide floral border. Signed. Framed. 


EARLY AMERICAN SAMPLER, 1814 

Worked in silk on cream ground linen. Designed in trees, 
flowers, brick house, stags and birds. Floral border design. 
Signed, Sarah Cook, 1814. 

Framed. 


AMERICAN SAMPLER, 1824 

Worked in silk on deep tan linen. Top in alphabet, lower 
with a verse on ‘‘Time.’’ Wroughte by Clarissa F. Miller, 
Apr. 8, 1824. In colored border. Framed. 


52 


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me Le Oe ee ee ee ae ae eee ee ee ee eg ee 


346 


347 


348 


349 


350 


301 


EARLY AMERICAN SAMPLER, 1754 
Stitched in silk on cream-colored ground in floral and alpha- 
betic design. Framed. Height, 12 inches; width, 12 inches 


WATER-COLOR—UNKNOWN ARTIST 


‘Seene near Rome. Shepherd with his flocks. Large folio. 


Framed. 


WATER-COLOR BY J. P. WATERLOO 
Landscape in Italy. Folio. Framed. 


WASH DRAWING BY F. DE FREY 
The Cobbler, filling his pipe. Folio. 


WASH DRAWING BY E. VAN DRIEEST 
Winter Scene. Woodcutter homeward bound. Upright folio. 


WASH DRAWING BY T. H. VAN GROOTVELT, 1836 
Teniers subject, domestic scene outside cottage door. Signed 
and dated lower right. Folio. 


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